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Lucie Van der Elst

  • Home/
  • Drawing
  • Paper Art
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To Hug a Friend - the story behind the drawing

In 2023, I embarked on a forty hour journey of self doubt and discoveries. A clean outline in the shape of a giant egg, a few lines on pencil as a general direction for composition. And off it went. It’s pen and ink so theres no room for mistakes, because…there is no “mistake”. Whatever happened on the page, “good” or “bad”, is here to stay. The black lines and white negative spaces are engaging in a dialogue, leaving space for each other to exist. While drawing, I think about “the life” of the line. does it allow a path for other lines to begin and to end? Some people noticed that the lines don’t ever cross…no they don’t. They merge, complete each other, add to one another, into a lace-like pattern. Maybe they are too well-behaved.. but that’s how I like it. All moving together side by side, like a school of fish or a murmuration of starlings (thank you to my dear Margie Criner for the word).

In the drawing you can see a little bit of everything : Jupiter, floral patterns, quartz, cells, lotus roots (apologies to those affected with trypophobia), but also the concept of “crown shyness” in trees, Ebru marbled paper from Turkey, and oil and vinegar, mixing and separating.

The piece is called "To Hug a Friend", it's about what's happening in the brain during a true embrace, in a moment of grief, sorrow and hope. When you dont really know what to say, and whatever you will say won’t feel like enough. But the hug you give will complete the sentence.

This drawing is currently exhibited at the Madron Gallery in Chicago.

To inquire about an original or request a catalog of available pieces, contact me here !

Monday 03.17.25
Posted by lucie van der elst
 

Synthesize, a four person show, now open at Madron Gallery Chicago

(note : I wrote this in a rush so please forgive any grammatical anomalies, I will come back and correct them!)

Last week our four-person show Synthesize opened at Madron Gallery in Chicago, and will be up until the end of May. The show is curated by Rachel Wakeman who reached out to us about a show themed around music. The idea originated because the four of us are musicians, and played in different bands. I loved the theme and got almost immediately overwhelmed by how much there was to say about music : the many many rabbit holes and dreaded “faux-pas”… I mean…visual art will never translate music, or what it feels like to play, or hear, or compose. There are bridges and connections of course, and I think this is what we are exploring here with Synthesize. So after months of dread and research and more dread, I decided to focus on a sub-theme : silence, and active listening. I will be writing about this more and expand on each one of my pieces on this blog, providing context and hopefully I can talk about my friend’s artwork too.

John Upchurch’s work is at the same time playful and profound, and you can’t help but be amazed on his mastery at shaping found objects into precious contraptions straight from Huysmans’s book Against The Grain. Zach Balousek’s kinetic and musical sculptures are truly out of this world. Their monumental stature is intimidating yet comforting (at least for people who find solace in the unknown). Margie Criner is a very important and very special person in my life, I can’t wait for people to see her work. It’s like looking straight into someone’s heart, and hers contain multitudes.

It’s a true honor to be showing my work alongside theirs.

All these pieces are best if experienced in-person, so if you are in Chicago and want to visit the show, drop a line here and we can make plans!

Madron Gallery

1000 West North Avenue | Third Floor | Chicago, IL 60642

Gallery hours Mon-Fri 9:30 to 4:30

flyer and program for the exhibition

More works by (clockwise) me, Margie Criner, Zach Balousek and John Upchurch

Wednesday 03.12.25
Posted by lucie van der elst
 

Garbage Truck Gallery

Yesterday morning I was on my way to work and walked past a black and white painting of a tree, framed on the side of a baby blue Chicago garbage truck. I wanted to take a picture but decided to keep the vision in my mind. The two workers were on a break nearby and I asked them if they had put the picture here, it was a silly question! Of course they did. On the side of the truck there are these aluminum frames, two of them on each side, almost like a micro-gallery. They had a bunch of canvasses there, almost “in storage” waiting to be installed. It’s always sad to see a discarded piece of art, with mold at the bottom. But overall it looked pretty clean. They said they had a portrait of Bob Marley up there too at some point, but someone took it down. I said I was hoping the portrait was in that someone’s apartment wall now.

Anyways, here’s an old drawing from the archives, probably from 2022 shortly after the full scale invasion of Ukraine. There is so much sadness and anger in the air right now.

Thursday 03.06.25
Posted by lucie van der elst
 

02.26.2025

My last blog post was last wednesday, it’s a coincidence but maybe I should post once a week? We’ll see.

I found that implementing a loose structure helps me staying on track, rather than a rigid one.

To me, a routine doesn’t have to be so hardcore at first. To create habits, especially in regards to hard things, maybe some folks could benefit from self-forgiveness. Like being a good parent to yourself.

I was looking at mining pictures, and remembering some trips to the Catacombes in Paris. How it seems like the more dense the rock is, the more rickety the structure. Below the drawing is a reference photo of Cornish miners, more specifically a “man engine” from circa 1890, from JC Burrow.

Wednesday 02.26.25
Posted by lucie van der elst
 

Contained

It’s been roughly twenty days since I wrote my post stating I would stay away from instagram and I’m happy to report that it’s been good so far. I made up a few simple rules :

0/ disable push notifications

1/no scrolling

2/no tapping around on the FYP

3/being intentional while being on the app, don’t let the mind wander

(isn’t it terrifying how much “we” lose ourselves in there?)

…and that’s about it.

On the other hand, I haven’t posted much on this blog, like I had promised. Writing is still intimidating.

Now for the updates: I’ve been working on a series of drawings that will be part of the upcoming group show called “Synthesize”, opening reception on March 27th at Madron Gallery. The show, curated by Rachel Wakeman, features the works of Margie Criner, Zach Balousek and John Upchurch and yours truly.

The four of us are musicians and visual artists, but we are also friends. While installing the show we saw many many connections appear in the works, a call and response of shapes, textures and colors. Kind of like an improv band finding their groove.

I can’t wait for the big reveal and to share more about the process! In the meantime, here’s one of the drawings from the show. It’s called “Contained”.

Wednesday 02.19.25
Posted by lucie van der elst
 

Install at Madron

Last week Margie Criner, John Upchurch, Zach Balousek and I were at Madron Gallery in Chicago to install our four person show, Synthesize. Mark your calendars, the opening in on March 27!

Zach installs his banjitar on the wall, a piece called Listen. On the left, a piece (name) by John Upchurch. On the right, “Pulmonate”! Not pictured here but all around

Saturday 02.15.25
Posted by lucie van der elst
 

Saturday Feb 8 - V Day Market inside the Plant!

Chicago! In a few days I’ll be at Whiner Beer in the South side for a fun night art market organised by Late Nite Tees. The brewery is located inside the Plant, an old meat packing plant repurposed into a closed loop, small business incubator. It’s an incredible building.

See you there!

Monday 02.03.25
Posted by lucie van der elst
 

Here we are.

Hi there. It’s Thursday, January 30, 2025. It’s been about two decades since I wrote a blog entry. I started writing this a few days ago and have been obsessing over finding what I could have missed or phrased better. I feel rusty and frankly not used to writing long format posts, let alone in english…

I’d rather post a picture of a drawing in progress or a funny shape I saw on the sidewalk with a short caption, “hey y’all, look at this”. Quick, efficient, easy. It would get me get some likes and that will give me a little boost and I’d carry on with my day.

I’ve been trying to cut down on social media for years. I would manage to disconnect, oftentimes after noticing the amount of hours I’d waste on there. My good intentions would last a week, and then I would fall back into my old habits.

This time it feels different.

As of January 20, 2025 many friends, artists, small businesses, news platforms and many other users have decided to cut ties with Meta and X due to their horrifying xenophobic and transphobic new policies. People closed their Twitter/X and Instagram accounts after years and years of cultivating an online presence, migrating to alternatives like Bluesky or Mastodon.

Many questions arise post-migration. Some wonder how their small business is going to survive without using the social media juggernauts (Etsy sucks too, by the way). Others wonder what might happen to the many social and parasocial relationships we all built over the years, and how to keep in touch with multitudes of people at once. And what about all the memories collected, photos and thoughts, a time capsule you created, displayed on there for all to see? It’s not easy pulling the plug.

To me, having a social media account (I’m talking mainly about Facebook and Instagram because this is what I use) is the digital equivalent of the little shrines you see in almost every house or apartment. It’s a repository for trinkets and tchotchkes but more importantly memories. Each object (and each post) is a portal to friends and loved ones, places we visited, achievements big and small, people we lost. It is only human to want to hold on to these and having a hard time letting go.

Over the years, these digital shrines got cluttered by content we didn’t initially need or want : the implementation of infinite scrolling, the default For You Page and endless supply of short videos became ingrained in our routine to the point where spending time on social media isn’t really that social anymore.

I was horrified to learn that the Oxford dictionary word for 2024 was “brain rot”. well, we reaped what we sowed. That’s us. That term is a mirror held to our face.

Some friends expressed the desire to be living offline more and more. I agree, but I’m also thinking that this is a great opportunity to rethink our online presence and use of our (precious and limited) time on this Earth.

Can we manage to keep living our digital lives without the addictive features?

Was there ever a “digital sweet spot” in the early days or am I just another nostalgic millenial?

I did go to high school during MSN chat, Myspace and the blogging era. I’d have to dig deep into my memories to remember what it was like to post something without having any clue if someone read it or not, except for a few comments from the same handful of readers. No algorithm to help people find your stuff. All content produced was an offering to the Big Void. It was nice. It almost felt like a private room. An echo-chamber for one.

In 2008, I did create a Facebook account while being an exchange student in Denmark, to keep in touch with my old friends and help me cope with loneliness as well as a 4pm winter sunset. It was before Whatsapp, although I remember tearing up listening to a voicemail of a group of friends singing happy birthday while sitting on my futon in my tiny Copenhagen bedroom. Facebook was like a little shell with cosy blankets inside.

In 2015, I joined Instagram shortly after a trip to Chicago, and ended up moving to the US in 2016. At this point I was using Facebook and Instagram equally. Social media platforms helped me cope with a new, deeper form of homesickness and let’s face it, bouts of depression during my first years in the US, as I was trying to make sense of everything and recalibrate for this new life. Through social media, I was able to hold on to my younger “french” self and make new friends at the same time. It was a digital version of a my beloved house during college years : the same old friends and roommates would be there but you’d meet fresh faces all the time.

Both times, these accounts were created to fulfill a longing for connection, at a time when I was far away from my loved ones. Facebook and Instagram gradually exploited this all-too-human need. And I let them, to the point where I could not imagine getting rid of either of these.

Today, I am at a crossroads. I want to reclaim the right to disconnect and being unavailable at times, and regain control over the use of my time. I know full well that I will fall back into loops, but with self-awareness comes progress.

There’s still plenty of questions I don’t have the answer to:

By joining these alternative social media platforms, are we creating new echo-chambers? Are we going to be even more divided, never united (…I dont think we ever were?)? What’s the future of activism post-large scale social media? Will it be more exhausting to join and follow a movement? How do we maintain the momentum?

As I’m writing this, my thoughts are all over the place. I realize how long it’s been since I wrote anything shaped like an essay or article, and how it feels like doing the sky-part of a jigsaw puzzle. So many questions interlinked.

The Chicago sky is grey and overcast at the moment and I wonder who will see this. Hello, you, yes, you!

The next posts might be focused on the artwork and the projects I’m working on, some shout-outs to friends, some “behind the scenes”, sketches, visual references and stuff like that. Just like…well, a blog.

Will I be able to replace social media with fewer but more nutritious blog entries? Will I be able to ween off the dopamine hits procured by every push notifications? Will I regain mental clarity without this addiction to social media? Would I be able to put this new-found so-called “clarity” to good use?

More than ever before, I might see a way out. I hope you do too.

Thursday 01.30.25
Posted by lucie van der elst
 

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